This is a public participation project. With your help, we are striving to build a database of womxn who have made a positive impact on the built environment, with a focus on the Global South. To read more about this initiative click here.
Please note that this website is still being developed for mobile devices. Thanks for your patience!
1814 - 1871
Responsible for the design of more than 40 Anglican churches in South Africa during the 1800s, Gray is widely regarded as the country’s first female architect. Her particular focus was the Gothic Revival Style, examples of which can be seen at the annual Sophia Gray Lecture and Exhibition held by the School of Architecture at the University of the Free State. She was born in Yorkshire, England, and married Bishop Robert Gray in 1836. In 1848 they moved to South Africa, where she began contributing to the South African architectural landscape.
Born in Berlin, Germany, Reich was known for her modernist approach to architecture and furniture design. She initially trained as an industrial embroiderer in 1908, and worked in the Viennese workshop of Josef Hoffman. Notable pieces were collaborations with Mies van der Rohe, namely the Barcelona Chair, Tugendhat House, and Barcelona Pavilion. She became the second ever Bauhaus master, and headed up the interior design workshop in 1932.
Born in Vienna, Austria, Schutte-Lihotzky’s most well-known work is the Frankfurt kitchen. This particular design was created after her research into the everyday lives of the masses, and driven by her desire to create more accessible private spaces for the public. She studied and developed her design approach at the Vienna School of Arts and Crafts, and many consider her to be the school’s first female architectural graduate. Other key works include kindergarten pavilions, and her work in developing specifications for large-scale housing.
Born in Enniscorthy, Ireland, Gray’s work ranges from furniture to architecture. She studied art at the Slade School of Fine Art at the University of London, and moved to Paris thereafter to study lacquer work and develop her furniture designs. Notable work includes the Bibendum Chair in 1930, and E.1027. The latter explores the interface between public and private through the use of screens (a fascination that originated during her stay in Paris).
Born in Helsinki, Finland, Aalto is a pioneer of Scandinavian design. In 1913 she attended the University of Helsinki, where she met her future business partner and husband, Alvar Aalto. The pair collaborated with Maire Gullichsen and Nils Gustav Hahl to found Artek, a furniture company built on the foundations of functionalism. There, Aalto managed the industrial art department until 1941, and eventually became the managing director of the company until 1949. Aalto and her husband designed the Villa Mairea in 1938, and she is responsible for the interior.
Born in Berlin, Germany, Albers is best known for her exploration of weaving and abstraction. She initially joined the Bauhaus (in 1922) to become a fine artist, but instead joined the weaving workshop, eventually becoming the head. She was one of the few women to achieve this, and went on to publish a book, On Weaving, in 1965. Considered by many to be groundbreaking with regards to the theory, practice and history of weaving, the book would help to develop the artform for years to come.
1903 - 1999
Perriand is known for her tubular and swivel furniture in the 1920s and 30s. She studied furniture design at the École de l’Union Centrale des Arts Décoratifs, and went on to lead a group of architects in the design of Les Arcs, a french ski resort. The resort had a staggered design so as to fit more naturally into the mountain landscape. Other notable works include the B-301 Basculant Lounge Chair (1929), and the LC4 Lounging Chair (1928).
Mittag-Fodor was a Bauhaus photographer and artist. She began her career at the Bauhaus in 1928 after studying at the Álmos Jaschik private arts school, and the Institute of Graphic Research and Education in Vienna. Though she initially studied to be a commercial graphic artist, her time at the Bauhaus was spent developing her photographic skills under Walter Peterhans. Her notable works include Photographic study with toy pistol and sugarcubes (1928) and Advertising image for Indanthren-Barben (1929).
Eames was an American designer who specialised in furniture, textiles, and architecture. She and her partner, Charles, are known for their plywood furniture and Case Study 8 (also known at the Eames House). The front facade of the Eames House was inspired by her art studies, and a notable Mondrian influence is present in the colourful panels. Notably, the Eames House makes use of standardised, mass-produced parts from builders’ catalogues.
As an American-Canadian journalist, author and activist, Jacobs is best known for her influence on urban studies, sociology and economics. Though she had no formal training as a planner, she has made great strides in the field. Her publication, The Death and Life of Great American Cities, and her work with grassroots movements to protect neighbourhoods from urban renewal and slum clearance strategies, are examples of this. Her achievements include derailing the car-centered approaches to city planning.
Mgudlandlu is a recipient of The Order of Ikhamanga, silver class, awarded for her pioneering contribution to visual arts in South Africa. Born in the Peddie district near Grahamstown, Mgudlandlu is a self-taught artist. She often used several viewpoints in her work, namely ground-level perspectives when depicting animals, and high vantage points in her landscapes. Her work carries a deep spiritual and symbolic importance, and she has achieved success despite criticism from her contemporaries.
1917 - 1979
1911 - 1996
Drew was key figure of the modern movement in Britain. She completed her architectural studies at the AA School of London and established the firm ‘Fry, Drew and Partners’ with her husband after WWII. Drew worked across the world with her most notable project being the housing developments in Chandigargh, India, which was a collaboration with Le Corbusier. Other buildings include the University of Ibadan in Nigeria and various schools in Ghana. In 1996, Drew received the Dame Commander of the Order of the British Empire.
Born and raised in Italy, Bardi moved to Brazil in 1945, where she fully developed as a modern architect. Her most significant brutalist work, the Sesc Pompéia in São Paulo, was converted from a working factory to a cultural centre for the public. Bardi also designed The Glass House, where she and her husband, Pietro Maria, resided. Influenced by the Dom-Ino house, the Glass House seems to float between the trees of the Mata Atlãntica forest on thin pilotis.
Knoll (also Knoll-Bassett), of the furniture company, Knoll in the USA, had a significant role in the company’s aesthetic development. In addition to her official role designing office interiors, she was the architect behind the Knoll Planning Unit. She was also responsible for the now widely-recognised standard of the mid-century modern interior. Her meticulous methods and rigorous design methodology can be attributed to her advanced schooling and extended travels. She was also mentored by Ludwig Mies van der Rohe.
Tyng was an architect, academic and pioneering geometric theorist. She graduated from Harvard University in 1944 where she studied architecture under both Gropius and Breuer. For most of her career, Tyng worked closely with architect Louis Kahn where her development of space frame architecture contributed to the structural concept for the futuristic City Tower and the triangular ceiling grid design at Yale University. In 1975 Tyng obtained her Phd titled ‘Simultaneousness, Randomness and Order’ from the University of Pennsylvania, where she also taught architecture for 27 years.
Fagan is a South African researcher and winner of the Simon van der Stel Foundation - Heritage South Africa Gold Medal (1992). She initially trained and worked as a medical practitioner, but later joined her husband, architect Gabriël Fagan, as a historical researcher and landscape planner. She boasts a diverse collection of research publications and books. Her influential body of work, engaging the design and restoration of historical landscapes, has earned her honorary memberships at various architectural and planning Institutes.
Smithson was a British architect who was at the forefront of New Brutalism, an architectural movement that stressed spartan functionality and a stark presentation of structure and materials, including exposed concrete and visible service conduits. She was born Alison Gill and studied at the University of Durham, where she met fellow student and future husband Peter Smithson. They began a joint practice and a seamless partnership in which they shared credit for everything they designed or wrote.
Chowdhury is best known as the first qualified female architect in India. She completed her architectural studies in Japan and Sydney, after which she also studied music and ceramic design. She was involved in the team who worked with Le Corbusier on the design and planning of Chandigarh. Her most well known architectural projects include the Government Polytechnic College for Women and the Home Science College. Chowdhury’s buildings illustrate her fascination with bricks and how simplicity and boldness can be achieved in conjunction with economy and workability.
Sklarek was a pioneering African-American architect known for pioneering many firsts in the field. She was the first African-American woman to graduate from Columbia University School of Architecture in 1950, and the first African-American to be a member of the AIA (American Institute of Architects), amongst many other titles. She is credited, alongside Cesar Pelli, for her role as design architect for the US embassy in Tokyo. Many of Sklarek’s career highlights deal with issues that concern the lack of cultural diversity in the profession.
Willis is an American born architect, philanthropist and author whose contributions span across many disciplines. Some of her most notable achievements include pioneering adaptive reuse projects and developing in-house software for large scale land planning. Willis is also credited for creating architectural concepts and practices that have influenced many American cities and architecture. She is the founder of the Beverly Willis Architecture Foundation, a national research and educational organization to advance the knowledge and recognition of women's contributions to architecture.
Denise Scott Brown
Scott Brown is a South African-born American architect. She is the principal of Venturi, Scott Brown & Associates. She co-authored the seminal 'Learning from Las Vegas' (1972), which cemented her position as a seminal architect of the 20th century and a pioneer of the postmodern movement. Scott-Brown was awarded the Jane Drew Prize in 2017. Her impact on the field of architecture in partnership with her husband Robert Venturi, is the subject of much debate concerning the recognition of joint contributions in a male dominated field.
Head trained and worked as a teacher and journalist in apartheid South Africa, before going into exile and becoming Botswana's most influential writer. She advocated for indigenous southern Africans’ sense of belonging in their own land, and in 2006 she was honoured with the Literary Posthumous Award at the South African Literary Awards. Her writings were influenced by her own experience, and her books, When Rain Clouds Gather, Maru and A Question of Power still resonate with audiences today.
This duo established their Cape Town firm in 1990 after years of work in countries across the world. This global experience instilled a sense of the importance of context when designing local projects. Their designs are free of ostentation, and instead favour dignified designs with integrity. A large portion of their work focuses on addressing various socio-economic challenges in previously marginalised communities. Groenewald became the first female president of the Cape Institute of Architects in 1992, followed by Preller in 2004.
Mahlangu is a well-respected South African artist and educator, known for her bold, large-scale contemporary paintings and murals that reference her Ndebele heritage. She was the first woman to take part in the BMW Art Car Project (other artists involved include Andy Warhol and Roy Lichtenstein), and painted her geometric patterns on a BMW 525i in 1991. She founded an art school in the backyard of her home in Mabhoko, Mpumalanga with the goal of preserving her cultural heritage. Mahlangu’s work is featured in collections around the world.
Fassler-Kamstra is a South African architect and lecturer. She graduated from the University of the Witwatersrand in 1961, and her career spans 50 years, covering an extensive and wide-ranging body of work. She is known for her work at the Saheti schools and House de la Harpe, which earned her the SAIA Award of Merit in 1977 and 1981. She has a significant knowledge of architectural conservation and landscape design, and for this she was awarded a Gold Medal for House LP Collet in Inanda by the SA Landscapers Institute in 2007.
Santos (FAIA) is a South African-born architect and planner whose career combines professional practice, research and teaching. She served as the Dean of the School of Architecture and Planning at MIT from 2003-2014. She is also principal architect in the San Francisco-based firm, Santos Prescott and Associates, which focuses on architecture that is socially and contextually responsible. Santos has won several international design competitions, is published in journals world-wide, and has worked in cultures as diverse as Japan, Africa and the United States.
Hasegawa, founder of Tokyo based practice Itsuko Hasegawa Atelier, is the recipient of the Royal Academy of Arts Architecture prize awarded for her contribution towards the field. Respected as one of Japan’s most important architects, Hasegawa was influenced by her predecessors who pioneered the Metabolist movement. She went on to cultivate her own form of experimental architecture, her most notable projects being the Sumida Culture Factory and the Yamanashi Museum of Fruit.
Japha ran a research-based practice in Cape Town and was the second woman to be elected President of the South African Institute of Architects in 1998. Her interest in conservation and policy planning led to numerous published papers on the subject of heritage including the books ‘Mission Settlements in South Africa’ and ‘The Landscape and Architecture of Montagu’ which she co-authored. Japha was also involved in creating new and thought provoking curriculum content at the UCT School of Architecture and Planning
1945 - 1999
Hadid was a British Iraqi architect who established herself as an icon with her signature future-forward architecture and product designs. Known as the “Queen of the curve” Hadid became the first woman to receive the Pritzker Architecture Prize in 2004. She was also awarded the Stirling Prize in 2010 & 2011, and was made a Dame by Queen Elizabeth II. She was also the first woman to be awarded the Royal Gold Medal from the Royal Institute of British Architects. Her firm, Zaha Hadid Architects, continues her legacy by continuing to produce ground-breaking work even after her passing
Farrell and McNamara founded Grafton Architects in Dublin in 1978, and have since gone on to win multiple awards for their work including the World Building of the Year Award (2008), the RIBA International Prize (2016) and the Royal Gold Medal (2020). Their first publication, Dialogue and Translation: Grafton Architects, illustrates the influence that cultural and geographical context has on their designs. The duo also won the 2020 Pritzker Prize, becoming the fourth and fifth women to receive this honour since its inception in 1979.
Decq has a reputation as an unconventional and radical designer. In 1985, she and her husband, Benoit Cornette, founded ODBC. The name of the firm was later changed to Studio Odile Decq after Benoit’s death in 1998, as a result of her frustration with the media for not crediting her work correctly. She is also the founder of Confluence: Institute for Innovation and Creative Strategies in Architecture, established in 2014, to imagine different avenues of architectural education not restrained by strict historical institutions.
Japanese architect Kazayo Sejima’s work focuses on the social use and potential adaptation of space, only considering a project complete once its users breathe life into it through activity. Her signature style features pure forms. Smooth surfaces, like glass and marble form the architectural basis of her contemporary projects. Sejima founded the Tokyo-based architecture firm SANAA with partner Ryue Nishizawa in 1995, and was the second woman ever to receive the Pritzker Prize in 2010.
As an American architect and artist, Lin is known for her design of the Vietnam Veterans’ Memorial in Washington DC. Her winning submission in a nationwide competition to design the memorial catapulted her into national scrutiny that examined her age, race, gender and design practices. In her own words, she describes her designs as interpretations of “the natural world through science, history, politics, and culture, creating a remarkable and highly acclaimed body of work in art and architecture.
Mori’s work is influenced by fashion, poetry and art, and she carries these inspirations into her work in order to create designs that act as positive catalysts for those who engage with them. She founded her architecture firm in 1981 in New York, and her dedication to material innovation and conceptual clarity earned her tenure at the Harvard Graduate School of Architecture. She is the first woman to earn this accolade, and has been a professor there since 1995.
Lacaton is a French architect, and founder of Lacaton & Vassal. She formed the firm with her partner, Jean-Phillippe Vassal, in 1989. Together they gained global acclaim for their transformative work in social housing. Her work focuses on architectural economy, namely the use of lower cost construction techniques to create dignified, contemporary designs. Lacaton & Vassal received the Mies van der Rohe Award in 2019.
Blaisse is the founder of Amsterdam-based studio, Inside Outside, established in 1991. The studio specialises in landscape architecture, exhibitions and interior design. As the name suggests, her designs focus on both interior and exterior spaces, and the relationship between the two. Blaisse is also inspired by textile design and set design. Her notable work includes the 2012 Dutch Pavilion at the Venice Biennale of Architecture, called Re-Set, which emphasised the ephemeral experience of the space through the continuous movement of the curtains.
As a South African architect, academic and writer, Joubert was the driving force and editor of 10+ Years 100+ Buildings: Architecture in a Democratic South Africa. She is currently a private practitioner and affiliated professor at both the University of the Free State and the University of Pretoria. Joubert’s work has been featured in The Phaidon Atlas of Contemporary World Architecture, and has been lauded internationally with her inclusion of the list of 40 Architects Under 40.
Heynen is a professor of Architectural Theory in Belgium. Her main research focus is modernism, modernity, and gender in architecture. One of her notable publications, Architecture and Modernity. A Critique, explores the relationship between modernity, dwelling, and architecture. Recently, in another one of her publications, Negotiating Domesticity, Heynen explores the relationship between architecture, gender, and domesticity in the home.
Mathur is an architect and landscape architect based in the USA and India. She is a Professor at the University of Pennsylvania and runs a collaborative research practice with her partner Dilip da Cunha. Mathur’s work focuses on how water can be engaged through conditions of excess and scarcity, with the intention to create opportunities for resilience. She has co-authored several books including ‘Mississippi Floods: Designing a Shifting Landscape’ which investigates the contradiction between flood prevention and a river’s natural ecology.
Viganò founded her first practice, Studio, alongside business partner Bernardo Secchi in 1990. In 2015 she founded Studio Paola Viganò, and has been involved in a range of architectural projects including urban, landscape and public spaces. Many of which have earned critical acclaim. Viganò has a PhD in Architecture, and is Full Professor in Urban Theory and Urban Design at the EPFL (Lausanne) where she is the head of the lab-U and the new interdisciplinary Habitat Research Centre.
Masojada is the co-founder of the firm Designworkshop which was established for the competition submission of the Constitutional Court Building in Johannesburg, South Africa. The project was developed as a physical manifestation of the concept of ‘ubuntu’ and is regarded as a prime example of what architecture can offer to the discourse of South African identity in our built environment. In 2006, Designworkshop received the Award for Excellence from the South African Institute of Architects for this building and presented the prestigious Sophia Gray Memorial Lecture.
Otten is the founder of Kate Otten Architects, established in 1989, which boasts a diverse portfolio of work that includes residential, commercial and public buildings. Her projects have earned her numerous awards including the Sophia Gray Memorial Lecture Certificate of Recognition. She is known for the Womens’ Jail Museum at the Old Fort in Johannesburg, Gabriel’s Pavilion, and My Little Red House. Otten’s design work blurs interiors and exteriors with a focus on material, texture, light and colour.
Lokko is a Scottish-Ghanaian architect, academic and writer. She currently acts as editor of White Papers, Black Marks: Architecture, Race, Culture, where she continues to make significant contributions to discourse around race, identity, gender, African urbanism and spatiality in architectural education and writing. Lokko has taught at a number of prestigious schools, and is the Dean of Spitzer School of Architecture in New York. Her past posts include time at Bartlett, and the Graduate School of Architecture at the University of Johannesburg.
Maritz is the founder of Nina Maritz Architects in Windhoek, Namibia. Her notable works include various sustainable architecture and community developments projects, such as the Skeleton Coast Shipwreck Lodge which was inspired by the harsh landscape surrounding it. Her design approach strives to create honest expressions of structure and materiality that draws inspiration from Namibia’s culture, history and ecology.
Chamberlain and Irving are co-founders of the Cape Town-based architecture practice CCNIA, a spatial practice that is focused on community upliftment through interrogation of current social and spatial issues that impact the built environment. A notable project includes the renovation of Joseph’s Home for Kids with Chronic Illness. CCNIA is the recipient of the 2019 CifA (Cape Institute for Architecture) Award for their work on the TWK Villiersdorp Resource Centre.
Klitzner is a Cape Town-based landscape architect. One of her most notable projects is the Violence Prevention Through Urban Upgrading (VPUU) project, in collaboration with architects Chamberlain and Irving. VPUU is an urban renewal project in Khayelitsha, and seeks to provide safer access routes to and from schools through a network of playgrounds, playing courts, commercial squares and pedestrian walkways. The project also seeks to create more spaces for positive human interactions within that community.
Wilson is an architect, designer and activist with a focus on politics and cultural memory in Black America. In a field that often overlooks questions of race, culture and identity, she is vocal in discourse concerning the possibilities and struggle for a just world. Wilson was appointed Professor of Architecture at Columbia University in 2007, and acts as Associate Director at the Institute for Research in African American Studies. She is a founding member of Who Builds Your Architecture?, an advocacy project aimed at spotlighting issues of globalisation and labour.
Lees is a director at DesigncoLab in Durban, South Africa, and a programme manager for FLOW, a social change project pilot. Her work includes architecture, research and policy development in planning, urban regeneration and the informal economy. Her work also focuses on inclusive sustainable development and spatial transformation. Lees and her all-women team won the international Housing Generator Competition in 1997.
Gang, founder of Studio Gang in Chicago, USA, is the designer of the Aqua Tower, the tallest building ever to be designed by a female architect. She has been featured in TIME Magazine’s 100 Most Influential People of 2019 for her numerous architectural achievements. Other notable projects include the Polis Station Research Project, which showcases her ability to use architecture as a catalyst for socioeconomic and environmental change.
Da Silva trained and worked as a post-disaster engineer, and went on to found Arup International Development. She currently acts as director of the company, and has been featured on a list of Management Today’s 35 Women Under 35 for her work on engineering in developing countries and humanitarian crisis zones. Her work in Rwanda, Sri Lanka and Nepal, as well as notable work on the ACCCRN, focuses on building sustainable resilient cities to weather the risk of climate change.
Tabassum is a Bangladeshi architect known for her design of the Bait-ur-Rouf Mosque, which earned her the Aga Khan Award. Her work is celebrated for its prioritisation of climate, site, materiality, light, local culture and history through contemporary architecture. She has participated in the Venice Biennale for Architecture under the theme Freespace. Tabassum’s designs for fluid, communal living through clusters and courtyards are inspired by local rural examples.
Dr Hall is an associate professor of Sociology at the London School of Economics. As an urban ethnographer, she is known for her research on social diversity, global migration, urban marginalisation and its impact on public space. Working at various scales of space, whether it be globe, state, or street, Hall investigates the role of the margins as mercurial spaces in which social sorting, cultural intermixtures and claims to difference are forged. Her book ‘City, Street and Citizen’ explores whether local life is significant for how individuals develop skills to live with urban change and cultural diversity.
Shawl is an Ethiopian architect born and educated in Addis Ababa. She is the founder of Raas Architects and is known for her advocacy work in the construction industry which has positively impacted communities and the environment. She is the recipient of the 2007 Aga Khan Award for Architecture for the Royal Netherlands Embassy in Addis Ababa. Shawl believes in creating a work environment that encourages creativity and empowerment. This is seen in the participatory nature and horizontality of the decision-making process of the firm.
Based in Mexico, Tatiana Bilbao Estudio was founded in 2004 in an effort to combine social values, collaboration and sensitive design in architecture. The studio prides themselves on exploring the creative process through models, drawing and collage rather than digital renders. Their work includes the Culiacán Botanical Garden and affordable mass housing projects such as the 2015 Chicago Biennial prototype. Additionally, Bilbao has held teaching positions at prestigious universities such as Yale University School of Architecture, Harvard University GSD and the AA Association in London.
Oxman is an American Israeli designer and Associate Professor of Media Art and Sciences at MIT Media Lab. There she founded, and currently leads the Mediated Research Group. The cross-disciplinary studio conducts research and design projects which are at the intersection of computational design, digital fabrication, material science and authentic biology. In utilizing design principles inspired by nature, Oxman aims to bridge together the built, natural and biological environments through research and experimentation.